“The Social Reckoning” Fails to Reckon with Society
While this film thinks that it is diagnosing the cause, it is merely diagnosing a symptom instead.

On the closing day of a single-screen cinema that still projects films on reels, Gul Zaman, a projectionist, while getting cosmic signs, must fulfill Sanjhpur's entry credentials—a utopia grounded in indigenous living—to seek his new home
While this film thinks that it is diagnosing the cause, it is merely diagnosing a symptom instead.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
This Agni Kai looks cool and is funny as well!