Laggies: Lynn Shelton’s Film Blends a Coming-of-Age Story With a Quarter-Life Crisis
Laggies is a fantastic movie, filled with down-to-earth characters, transcendent themes, and witty comedy

Adrian (Leonardo Sbaraglia) is a young man who has spent years running away from himself, constantly changing city and work, looking for people to relate to the least possible and all for one reason: he has the ability to see things that have not yet occurred, is a precog. He learned it when he anticipated the death of his parents and could not do anything about it. Adrian tries, unsuccessfully, to flee from his gift
Laggies is a fantastic movie, filled with down-to-earth characters, transcendent themes, and witty comedy
It’s dark, uncomfortable, and there are things that don’t make sense.
The second entry of the Five Nights at Freddy’s series released recently, garnering very divisive reviews amongst both fans and critics.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.