Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

Hosted by Emmy Award-winning broadcast journalist Miles O’Brien, USS Indianapolis Live - From the Deep takes viewers through the wreckage of the Fifth Fleet’s naval flagship, which lies more than three miles below the surface of the Philippine Sea. Lost for more than 72 years, the U.S. Navy cruiser was found and positively identified in August through careful analysis of wreckage and markings by the expedition crew onboard the Research Vessel (R/V) Petrel, owned by Microsoft co-founder and philanthropist Paul G. Allen.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.