
Draining two million cubic meters of water to protect a small animal in danger of extinction. This has been the task of those who have worked to remove the Enobieta reservoir and ensure a safe haven for the Pyrenean desman. This amazing story took place in Artikutza, the estate that San Sebastián bought in Navarre a century ago and which is now one of the best-preserved natural sites on the Cantabrian coast. In Normandy, meanwhile, the large Vezins dam has been removed. Its demolition will allow salmon to return to the Sélune River. Abandoned dams on rivers are barriers to biodiversity, and their demolition allows us to imagine a more habitable planet. That future will depend on small gestures, or large ones, such as those in Vezins and Enobia.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
Season 1 of Love, Victor ended on a major cliffhanger: Victor came out to his parents. He said the words “I’m gay” for the first time. Now what? Season 2 answers the question: “What happens after coming out?”