"Elio" and What Could Have Been
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.

With his wedding day approaching, a man (Ujarneq Fleischer) and his fiancée (Connie Arenas) grow increasingly concerned about whether it would be wise to invite his dementia-stricken mother (Vivi Nielsen). As she’s using implanted assistance equipment, they ponder whether updating its software could help her function through increasingly frightening hallucinations. A tragic work of humanist science-fiction from award-winning Greenland filmmaker Nivi Pedersen, UPDATED asks uneasy questions about technology’s place in caregiving, and the privacy trade-offs that come with the barter.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
"Beef" is a new dark comedy with a near entire Asian-American cast
This fantasy movie released on Disney+ has strong topics and themes related to magic.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.