Upallay follows the story of Beto, a young journalist eagerly awaiting the birth of his first child with the love of his life. He receives a visit from Luis, his best friend, who invites him on a journey to the Peruvian highlands to cover a strange event taking place during the Internal Armed Conflict. It’s the opportunity they’ve been waiting for—to use journalism as a tool for social change and a means to uncover the truth in a time of terror and uncertainty. Despite the fear and the risk, Beto accepts the challenge, driven by his commitment to the truth. However, upon arriving in the conflict zone, the team is warned of the dangers they face. In the midst of the chaos, they are mistaken for terrorists and sentenced to death by an Andean community.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
