Challengers—Blurring the Lines of Platonic and Romantic Love
What happens to an inseparable bond when love for competing morphs into competing for love?

Newly-married Gary Ainsworth once gave his former sweetheart Mabel a sexy negligee with his initials embroidered in the lacework. It is Gary's unenviable task to retrieve the incriminating undergarment from Mabel's room before his wife Geraldine gets wise.
What happens to an inseparable bond when love for competing morphs into competing for love?
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.
A code adopted by gay men and LGBTQ+ individuals in general to subtly disclose your identity to another, “friend of Dorothy” is widely considered to originate with Judy Garland.
Since Season 2 of Peacemaker is currently airing, let’s revisit the movie that started it all.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.