The Lack of Exposition Makes 'Fast Color' a Compelling Narrative on Repressed Personalities
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents

Candy’s rise from childhood in Long Island beauty pageantry to her years alongside Holly Woodlawn and Jackie Curtis as a member of the East Village experimental theater group, La Mama Etc., to starring in Warhol’s groundbreaking film, Women In Revolt.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.