The Bizarre World of PN & Friends Episode 30: Reboot
“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.

A year in the life of abstract artist Sean Scully, one of the world’s richest painters. Little known at home but a superstar abroad, Sean flies around the world to open 15 major museum exhibitions - a journey that also reveals his extraordinary life story. Now, at the age of 73, Scully opens up about his unique experiences spanning 55 years in an often hostile art world - how he built a reputation from nothing, having grown up penniless on the streets of Dublin and London, often homeless as a child and running with street gangs as a teenager, to turn his striped paintings into the huge success they are today.
“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.