A Diwali Dilemma: A Direct Inner Conversation about Minority Struggles
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.

Seweryn, a 30-year-old musician, is about to sign a contract with a small music label. His life takes a radical turn after a concert when he becomes the victim of rape by Michael, a wealthy businessman.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.