Impotent and unhappy middle-aged James Fhelleps goes murderously around the bend after an automobile accident claims the life of his beloved daughter Heather and turns his nagging wife Alice into a pathetic grotesquely disfigured cripple. James embarks on a savage killing spree, brutally butchering such low-life scum as hookers and drug dealers so he can reach Heather from the other side.
In 1983, V first debuted as a mini-series. It chronicled the story of alien visitors who arrive on Earth in motherships; they look like us, they talk like us, and they say they are of peace
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.
Spoiler Warning
