On the sun-burned countryside, the dust rises in gusts. Three boys stop in front of a hole. The youngest holds a gold chain in his hands, while the others persuade him to bury it. "This land is miraculous", they tell him: "a golden tree will grow here, make us rich, bring us luxury". Trusting, the boy drops the chain into the hole, then the miraculous earth slowly covers it. The next day, what they find will push them to act in an increasingly selfish way, attracted by the promise of wealth: from that moment on, the lust for gold will sow among them a greed destined to grow without control. But like a new Pinocchio, the protagonist takes us to an unexpected epilogue.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.
