'Riverdance: The Animated Adventure'
The animated musical adventure beings fantasy and magic to viewers as they follow Keegan and Moya.

Small-town crook Cody (Mike Dwyer, Sandbar) was at the end of his rope when a mysterious stranger offered him the chance of his life. There was just one catch - in this game he would have to wager everything, including his life. Cody finds himself trapped amongst a band of outsiders and misfits - all fighting for their lives and a slice of the American dream. Fueled by a horde of masked sadists, Cody and the others will win a fortune or die a brutal death.
The animated musical adventure beings fantasy and magic to viewers as they follow Keegan and Moya.
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
David Fincher is back in his playpen, with a dark and chilling thriller.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.