Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

Cody is a recovering opiate addict in rural Ohio, 45 days clean and enlisted in a strictly enforced drug court programme by the county government. Local sober-living facilities are full, so Cody is living in his car on the outskirts of town and working at the nearby lumber mill to save money and keep busy. But his past doesn't want to forget him.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
‘Babylon’ is an exhilarating journey one has to brace themselves for
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.