Himuro (Yasukaze Motomiya) and Tamura (Yoshiyuki Yamaguchi) returned to Tokyo to confront Okada (Yuki Matsumura). However, waiting for them was a notice of succession from the Hasekai, which was supposed to be under the Kyowakai's control. Upon learning that Okada’s faction had ties to the Hasekai's new successor, Himuro immediately severed ties, bringing the direct showdown between the Kyowakai and Marugami-kai closer. Meanwhile, Reiko (Reira Arai), who had been hiding with Genji (Kuroishi Takahiro), continued living in hiding, harboring distrust towards Genji and others. Despite this, she remained focused on her vengeance against the Kyowakai. While Himuro and the others tried to clear up Reiko's misunderstanding for Minami (Rin Asuka), Reiko refused to listen. Gradually, she became more involved with Okada’s faction, who were willing to use anything for the war against the Kyowakai.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
'The Lovebirds' is one of those movies that has a very direct appeal when it comes to its comedy. There isn’t a singular style, so much as tidbits of various ones here and there.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
