
Brad Wilson is a preoccupied, presumptuous, business man and husband to his neglected wife, Victoria. Until he meets with his colleagues and finds his best-friend is a playboy, with everything he wants in life especially any woman that he desires. After Brad plays high-stakes with Victoria as the prize, he finds himself against unfavorable odds.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
A Homosexual Cowboy is Still a Cowboy - At the center of 'Power of the Dog' is an intense bond between a cowboy and his young protege. Read more about Gay cowboys here!