Evil in the Home of an Influencer
The Franke kids seemingly lived a normal life, until their mom met the infamous Jodi Hilderbrandt.

In Mexico, the keen pain of the loved ones of missing persons deepened by a lack of understanding, injustice and a lack of recourse. To bring this internal suffering to light, a group of women takes part in a project of creation and research that takes the form of a cathartic performance. In a warehouse transformed into a symbolic space dedicated to externalizing pain and frustration, they engage in reenactments, exchanges, and role-playing situations relating to their daily lives as the mothers, sisters or spouses of people whose lives were suddenly taken. Their stories resonate until the echo of their distress meets that of the others, bringing forth a poignant ode to sisterhood and solidarity.
The Franke kids seemingly lived a normal life, until their mom met the infamous Jodi Hilderbrandt.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Like most young people, Leviticus is imperfect. But I love it anyways.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.