Under the Supervision 

The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.

Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.

Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.

Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.

'Hollywood Stargirl' (2022) is a teen romantic drama film that centers around the title character's experiences in Los Angeles. This film serves as the sequel to the 2020 film 'Stargirl', but unlike the previous film, the events in this movie are shown from the title character's perspective instead of Leo Borlock's.

A strong representation of African Americans in this film features evil spirits and horror-themed elements.