“Brooklyn Nine-Nine” is Sitcom Diversity Done Right
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.

Documentary about whistleblower Frits Veerman, who in the 1970s exposed the nuclear espionage at Urenco in which his Pakistani colleague Abdul Khan smuggled nuclear data out of the country. He was fired and fought for 40 years for rehabilitation. Frans Bromet examines the moral compass of the headstrong whistleblower in the politically shadowy and high-profile espionage scandal. Bromet wants to understand what underlies years of backroom politics, an intelligence agency that refuses to grant access to the file, and international interests that apparently prevail over the protection of an observant citizen by his government. The fact that the Dutch State takes no responsibility in this matter weighs heavily, literally and figuratively, on Veerman. The threat of a nuclear bomb remains real. Will a potential rehabilitation offer the satisfaction he has been waiting for forty years?
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.