'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

Documentary about whistleblower Frits Veerman, who in the 1970s exposed the nuclear espionage at Urenco in which his Pakistani colleague Abdul Khan smuggled nuclear data out of the country. He was fired and fought for 40 years for rehabilitation. Frans Bromet examines the moral compass of the headstrong whistleblower in the politically shadowy and high-profile espionage scandal. Bromet wants to understand what underlies years of backroom politics, an intelligence agency that refuses to grant access to the file, and international interests that apparently prevail over the protection of an observant citizen by his government. The fact that the Dutch State takes no responsibility in this matter weighs heavily, literally and figuratively, on Veerman. The threat of a nuclear bomb remains real. Will a potential rehabilitation offer the satisfaction he has been waiting for forty years?
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
A man invents the internet with the help of an otherworldly force. But he soon learns that not all is what it seems. A delightful sequence of images for a delightful fictional story about what lies behind.