‘Oppenheimer’: The Man Behind the Myth
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.

One afternoon, Jesper sees a young girl fall overboard from one of the harbor's expensive motorboats. He jumps into the water and rescues her. Her name is Line. It is summer in Rungsted, and the music is blaring at full volume. Line is a young and beautiful girl who has been in a relationship with Victor from Rungsted for five years. Jesper is a healthy, unspoiled guy from Holbæk who comes to Rungsted to look after a beachfront villa. Victor, Line's boyfriend, who was 'born' with a diamond-studded 24-carat gold spoon in his mouth, passes the time with his transgressive 'games' with his friends.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
A movie that brings Indian culture with classic Bollywood themes and electronic dance music.
A Christmas tale that everyone is wishing for, and that everyone will remember.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.