'Fargo' (2014): Does the True Story Genre Need to be True?
Although Fargo is not actually based on a true story, I do believe it is worth the watch. It has drama, suspense, and a mysterious figure to keep you engaged.

Chen Shengli, 40, is a dapper ex-con with a spine of steel, who used to hang out with some very bad people. But he’s determined to reform. He returns to the old theatre he owns, where he discovers that a kindergarten now ensconced there can’t pay the rent. The local cops suggest he should run it himself. Which he undertakes to do, with the assistance of Sun Xiaomei, a gorgeous, tough-as-nails nurse who moonlights as a dancer in a seedy local ballroom, which is where they first met. Kindergarten seems to soften Shengli (who still harbours a scarily violent streak), and something like a romance with Xiaomei kindles. But those shady former associates have long-held grudges and won’t let Shengli go…
Although Fargo is not actually based on a true story, I do believe it is worth the watch. It has drama, suspense, and a mysterious figure to keep you engaged.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
Rather than focusing on the bleak, cynical aspects of life post-pandemic, the focus is optimistic and hopeful.
Years before Mexican director, Alfonso Cuaron, was winning Academy Awards for movies like Gravity (2013) and Roma(2018), he directed a small, intimate film about two best friends who decide to embark on an improvised road trip to spend time with an older, attractive woman who miraculously agrees to go with them. Y tu Mamá También is a deep journey into the raw sexuality and friendship of the young protagonists, as well as a subtle social and political commentary on Mexico at the time.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.