Don’t Give Disney a Pat on the Back for Doing the Bare Minimum
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.

Rosa, a working-class young woman, falls in love with the physician Armando de la Vega. After they spend a night together, she discovers that she is pregnant. Armando, however, marries another woman, and the couple leaves for Paris, where he remains for several years. Upon his return, disillusioned with his marriage, he meets the famous cabaret star Alma Rosa, not realizing that she is Rosa, now performing under a stage name.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
Typically in film, characters suffering from mental illness are used as plot devices or exaggerated for comedy. 'The House that Jack Built's representation exceeds in accuracy and realism of OCD.
A high-octane spy thriller where Hrithik Roshan and Jr NTR’s clash brings explosive action, stylish direction, and emotional depth. Here’s my take on what makes it a must-watch in the YRF Spy Universe.