Una de miedo 

That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents

Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.

It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.

The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.

A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.

A K-9 police dog goes undercover to stop an illegal animal smuggling ring and learns a valuable lesson along the way.