Another Simple Favor: Secrets, Style, and a Sip of Queer Representation
Emily and Stephanie are back... just add gin and drama.

A poor composer sells his songs to a music publisher who attributes them to his son, who sells them to a famous singer. Seeking the son, the musician's daughter will unexpectedly find a job as secretary to the singer, disguised as an unattractive and authoritative woman who effectively controls his careless lifestyle.
Emily and Stephanie are back... just add gin and drama.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
A man invents the internet with the help of an otherworldly force. But he soon learns that not all is what it seems. A delightful sequence of images for a delightful fictional story about what lies behind.
An incredible documentary showcasing the difficulties of living in a crumbling Rust Belt city.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.