Spring 2020. In the midst of the pandemic, Diego has just turned 18. Although he's named after his father's idol, Maradona, he doesn't really like football, nor lives in Naples anymore. After his mother's death, he moved with his father Franco in a Roman suburb, but he's having an hard time integrating and seems to get better along with the African immigrants living next door than with his new classmates. Things change after Tea, a unconventional young woman who's guarding an important secret, bursts into his and Franco's lives. Their forced coexistence will fuel Diego's coming-of-age journey.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Yes, Asia is actually quite a large hub for amazing horror films even to this day, some people just never notice! Well, I'm here to change that. It's time to not let those words at the bottom of the screen scare you but instead be scared by some of the best horror you never knew about.
