What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Nuria and her father end up stranded on the highway on their way to their town. At the risk of being forced to spend more time together than they’re used to, they decide to head over to the nearest motel by foot. Along the way they will realize that the distance between them is even bigger than they thought.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Sam Levinson's latest film can't keep up with the excellence of its performances.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
When most of us think about diversity in film, we usually think about three things: race, gender, and disabilities. However, there is a forgotten topic... age. These are 12 of the best films about growing old.
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.