Kurosawa’s ‘Ikiru’ Comes Back to Life in ‘Living’
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.

Arif lost his father Ozan before he could get to know him and grew up without a father. He lives with his mother Makbule in the neighborhood where he was born, far from the city center, and has a childish crush on his neighbor Arzu, who is much older than him. The shy boy begins writing letters to Arzu. The return of his grandfather İhsan, who had left them years ago, suddenly turns the young boy's life upside down. İhsan pretends to be paralyzed to convince Makbule to let him stay, and the only one who knows the truth is Arif. At first, the two do not get along well, as Arif has matured beyond his years due to his fatherlessness, while İhsan, despite his age, remains childlike. However, when his grandfather discovers Arif's love for Arzu, things change. With his grandfather's help, Arif begins to write more beautiful letters and gradually grows closer to his grandfather. Ozan, their shared loss, becomes a bridge that brings the two people together despite the decades between them.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
Based off the book of the same name, ‘The Miseducation of Cameron Post’ (2018) follows teenager Cameron Post (Chloë Grace Moretz) after she is caught being intimate with another girl and then sent away to a gay conversion camp.
Women have always been integral to science fiction, and these amazing women prove why.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.