A family, consisting of the grandmother, the mother and her two children, a daughter and a son, seems to raise them in a different way compared to the rest of society. The teenage children, Orestes and Danae, still have the innocence of childhood, without knowing the outside world. In combination with the embrace of a religion, this Goddess of snakes and the control of the mother and grandmother over the children, we understand that the power of the family lies with the women. The family peace is disturbed when they catch Orestes masturbating. The mother and grandmother understand that childhood innocence has been lost and it is time for Orestes and Danae to enter the process of adulthood, as they know it. The roles change, Danae is “educated” differently by Orestes, who is treated more like a reproduction machine than as a human whole. Will Orestes withstand these changes? How dangerous is his family to him?
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
"Clifford the Big Red Dog" retells the adventures of Emily and her striking puppy to highlight the joy of being different and inspire another wave of young fans.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
‘A Good Person’ makes it clear that forgiveness is hard.
