Uma Retrospectiva Definitiva de Ween 

Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.

One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.

Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.

For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.

The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.

In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.