Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

‘How are women doing in Brazil?’. It is this intriguing question, posed by an Italian journalist, that Helena Solberg tries to answer through elements of her films, from the 1960s to the present day. Along the way, encounters with figures such as Heloisa Teixeira, Rita von Hunty and Helena Vieira illuminate some of the cracks in this broad debate.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Disney has long since had a reputation for creating underwhelming sequels. Is Zootopia 2 any different?
When they’re young, they’re America’s darlings but, when they become teens and adolescents, they’re instantly perceived as harbingers of immorality. They’re Lindsay Lohan, Macaulay Culkin, Justin Bieber, and Britney Spears. But, despite what many media outlets, politicians, and the general public may think, they are human beings above anything else. The new Billie Eilish documentary, Billie Eilish: The World’s A Little Blurry, proves this — showing the trials, tribulations, and humanity when growing up with all the world’s eyes on you.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
In Tall Girl, Jodi learns to stand tall and find confidence within.