When, prehistoric monsters attack the earth, Commander Adams is asked to head up a paramilitary scientific team, which he agrees on the condition that he is provided with the general's new high-tech space craft. Glen, the creator of the craft, insists on being part of the team, as does a bumbling fool named Marconi. Biologist Lieutenant Ann Johnson comes on as a surprise to these two chauvinists, and finally, Lieutenant Harris, who has been appointed the host of Ultraman, joins the team upon his arrivial.
Tom Wyner, Masahisa Ishida, Junyasu Furukawa, Takao Yotsutsuji, Eikichi Oga
Director
Barbara Goodson
Lieutenant Anne Johnson (voice)
Gary Morgan
Scotty Harrison (voice)
Steven Kramer
Lieutenant Harris (voice)
Michael Dobson
Kei Marume (voice)
Tom Wyner
Captain Adams / Narrator (voice)
Joe Perry
Marconi / Glenn / Commander / Superior / Walla (voice)
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.
"The Haunting of Hill House" isn't your typical horror story. Based on a novel by Shirley Jackson, Netflix's masterpiece and limited horror series takes you on a emotional rollercoaster ride, by turning our perception of mental illness on its head. It's an unforgettable story about a loveable family, who grapples with tragedy and love after living at the foreboding Hill House.
'Easy A' is emblematic of a world that liked to sarcastically pretend it was progressive but wasn’t actually ready for that change, making it pretty anti-sex.
For many people, Disney+’s debut show, The Mandalorian, was a breath of fresh air for the Star Wars universe. The Disney Gallery shows audiences how that show came to be.