Spider-Man: Into The Spider-Verse Tells Us to be Our Own Heroes.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.

A wave of kaiju emerges from an industrial zone, prompting Capitan Gento and the SKaRD to engage in the relentless battle. Yet despite their efforts, the endless kaiju attack continues. Suspecting a link to Necromass Co., an advanced chemical company that researches kaiju carcasses and owns factories in the industrial zone, SKaRD rushes to the company’s CEO and renowned chemist, Dr. Mabuse. At Necromass Co.’s research facility, Dr. Mabuse explains the development of the damudoxin, a substance on the brink of achieving immortality. Meanwhile, Alien Damuno, who claims themselves as the “ruler of the universe” appears! Chaos ensues when damudoxin leaks from the destroyed tanks, consuming samples of kaiju carcasses and giving rise to the giant Gongilgan, the Demonic Carcass. Set in Tokyo, the capital of Japan, Ultraman Blazar and SKaRD clash in a showdown against the giant kaiju!
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
The Sandman features a plethora of LGBTQ+ characters and is openly expressive about it!
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
An action film led by two queens, fighting for what they believe in through power and pain.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
The thing is, people like Wahlberg will only apologize if they have something to lose, which he did. His glamorous life, his reputation, and his career were all at stake.