Carlos Bahia, a smooth-talking business duck, loves his drama-free life — until things spiral out of control. First, he fumbles asking out Lisa, the new HR rep. Then his bullied coworker, Horace, steals some alien-powered gauntlets, turning the office into chaos. When a cosmic entity ropes Carlos and Horace into saving the world, things only get weirder. Carlos ends up as the flashy hero Ultraduck, while Horace’s mishaps summon Omegallus, a city-destroying menace.
The re-living of this historic trial through this film is relevant to current politics and disturbingly enjoyable to watch due to the excellent performances from the ensemble cast. If you like a juicy courtroom drama, this film will definitely scratch that itch in a really chilling manner.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.
Not only can viewing Not My Dog inspire people to adopt a dog that may be facing tremendous odds, but even that simple action of watching has a social effect.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
How do zombie films shine new light in the post-Covid and post-Brexit era?
