Filmmaker Timon Koulmasis, a 33-year-old filmmaker, wanted to understand why his childhood friend's mother became a terrorist and how she, herself an orphan who never recovered from her loss, abandoned her daughters. Ulrike Marie Meinhof is an intimate portrait of a woman whose name became taboo in her family for twenty-five years. The film consists of amateur footage, texts written by the journalist, her public and television appearances, and, above all, testimonies from her loved ones, punctuated with archival documents, to better reveal the profound disconnect between the woman and the superficial image of her portrayed by her era. She is neither the bloodthirsty caricature denounced by the media nor the “martyr” described by some activists.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
The Weight is highly recommended, will transport you back to its Great Depression-era setting and will have you rooting for the protagonist harder than most films this year
