
The story is about the female-dominated tribe of Uivelot, who got lost in Iso-Saimaa, according to hereditary information about 900 years before the founding of the city of Lappeenranta. Known for their cruel habits, these female lions kept men as their domestic animals and used them for their sexual pleasures. In the hierarchy of Uivelot, women owned at least two “slave men” who were severely punished for even minor offenses. The runaway male individuals were hunted like a prey, and no one escaped the Uivelot. The hooves fluttered and the messages flowed, as fast and effectively as they do today. Mobile phones and text messaging have conquered the entire modern world and woe to the man who is at the mercy of today’s Uivelot. Uivelot is a porn movie whose scenes meet the level required of today's porn movies, with all the spices and fistulas.
Striving for validation. Let’s be frank….we ALL want to be successful. Whatever we put our efforts into, ideally it is to make it culminate in the best possible results across the board, especially when it comes to what career path we are pursuing. We WANT to excel, to shine, to advance, to be acknowledged. AND…let’s hope that we also wish to better everyone around us to boot. However, what occurs when those whom we initially put our trust in suddenly become a burden instead of a boon? Do we falter under the weight of rejection? Or STAND UP for WHO WE ARE?
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.