What Kind of Movies Will Come from the Current Anti-Racism Movement?
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
UglyDolls (2019)
In the adorably different town of Uglyville, weirdness is celebrated, strangeness is special and beauty is embraced as more than meets the eye. After traveling to the other side of a mountain, Moxy and her UglyDoll friends discover Perfection -- a town where more conventional dolls receive training before entering the real world to find the love of a child.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
In the adorably different town of Uglyville, weirdness is celebrated, strangeness is special and beauty is embraced as more than meets the eye. After traveling to the other side of a mountain, Moxy and her UglyDoll friends discover Perfection -- a town where more conventional dolls receive training before entering the real world to find the love of a child.
Rating:PG
Genre:Animation, Music, Family, Comedy
Written By:Alison Peck
In Theaters:5/3/2019
Box Office:$32,500,000
Runtime:88 minutes
Studio:Original Force Animation, Reel FX Creative Studios, Alibaba Pictures Group, STXfilms
Articles You May Like
"Coven of Sisters": Church vs. Women
“Bad Trip” But An Excellent Comedy
Partners in crime, Eric Andre and Lil Rel Howery road trip from Florida to NYC.
Tonight is 'The Curse of Bridge Hollow'
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
Why 'G.B.F.' (2013) is Pretty Good, Actually
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
Broken Systems: Racism and Capitalism in “My Beautiful Laundrette”
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.