Kwok Yun is a simple woman who leads a peasant’s life in the peaceful mountains around remote Three-Headed Bird Village. One day, after a countryside tryst with a married man, she sees a UFO – a giant glowing thing in the shape of a dumpling! The ambitious village leader Chief Chang takes advantage of the sighting, stimulating tourism with UFO tours and getting the local economy roaring with progress. Busy aspiring to strengthen relations with the USA, she is blind to the dangers such radical change can bring.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.
