'Zola' is a Modern Black Fairytale
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.

Based on Alfredy Jarrry's 1896 play about a greedy, overweight, selfish dude named Pere Ubu. The story follows Ubu on his journey to overthrow the current ruler and become King of Poland. Along the way he betrays many of his followers, taxes the civilians to an unreasonable degree and eventually slaughters everyone. Along his side, is the equally crude but somehow more likable Mere Ubu, who's like a foul mouthed Lady Macbeth.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?