Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

Stories about parent-child relationships, fate, and the unknown forces that guide our steps unfold across several continents. A Japanese businessman wants to reconcile with the daughter he abandoned as a child and sets off with her on a journey to the Himalayas. Like him, a single mother in the Czech Republic receives a mysterious letter with important news. A painter and recovering alcoholic meets a beautiful woman and with her an unexpected opportunity for family life. A writer takes his friend and their inner demons on an expedition to the Indonesian jungle. A priest in New York has to deal with strange dreams, and an old man waits for his son to visit him in a remote place somewhere on the Baltic Sea coast. Each of the heroes faces a fundamental change in their lives, and their actions can influence the story of the others. Their separate journeys begin to intertwine and eventually merge into one great story of life.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.