During the NEP era, the ex-wife of a White officer, now married to a dedicated Soviet worker and lover to several bourgeois “specialists”, is expelled by her husband’s party for her affairs. Meanwhile, the commissar’s wife, once captured by White Cossacks, helps her husband lead a prisoner revolt and later serves as an exchange inspector on the commodity exchange. When she exposes the director’s fraud and her husband is wrongly implicated, both are reassigned to the provinces and depart together. Considered lost.
Grigoriy Roshal
Director
Yuliya Solntseva
Krekshina, modern woman
Sofya Yakovleva
Woman in the mirror
Semyon Svashenko
Krekshina's husband
Sergey Petrov
Lackey
A. Kachenovskiy
Trust's director
Boris Gorskiy
Mirror woman's husband
Aleksandr Chuverov
Bolshevik sailor
Pyotr Matveyenko
Officer
Ivan Malikov-Elvorti
Sailor
Zoya Kurdumova
Servant
A. Parshin-Spasskiy
Cossack officer
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.