There’s No Way That Spider-Man: No Way Home Hits Home
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction

João, an actress from Lisbon, as she stars in a biopic about Liberada, a gender-nonconforming figure persecuted by the Portuguese Inquisition in the 18th century. The film's production becomes a battleground as João clashes with the director over how Liberada’s legacy should be portrayed. These tensions deepen as João's dreams are increasingly haunted by Liberada's ghost, blurring the lines between past and present. When the director succumbs to a mysterious paralysis, leaving the film unfinished, João is left to navigate the unfolding chaos. She faces unanswerable questions, not only about the film's future but also about her own connection to Liberada’s spirit and story.
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
The [SPOILER-Free] story of Jurassic World: Dominion is that the humans never learned from their mistakes from the previous films, science is still running amok, and the world is paying the price.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.