The Black and White Metaphor in 'Passing'
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.

Twin sisters, one good and honest and sweet, and the other given to totin' pistols and pulling robberies, keep confusing a detective about which one he his chasing for what, since he has different reasons for chasing both.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
You'd better buckle up, pack spare underwear, & maybe lay off the drinking for a night, for a gnarly ride in New York!
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.