Why we shouldn't let "Contagion" scare us
Fiction doesn't have to be the model for how our real-life pandemic plays out. Here's how we can avoid the dangers shown in "Contagion."

A man from Lorna's past is released from prison. Her emotions spiral out of control as she finds herself inextricably drawn back into a life and a love that's forbidden.
Fiction doesn't have to be the model for how our real-life pandemic plays out. Here's how we can avoid the dangers shown in "Contagion."
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.