'Cyrano' (2022): A Bittersweet Tale of Unrequited Love and Self-Acceptance
This modern update of the beloved classic swaps Cyrano's signature pronounced nose for achondroplasia, for a different vision that still retains the original's essence.

In 2017, Award-Winning Filmmaker Chad Calek announced that his forthcoming documentary, Sir Noface, would feature the world's first authentic footage of a full-body apparition, as documented by Sydney investigator Craig Powell during the only paranormal investigation in history to be officially sanctioned by the Australian Government. But after the release of Sir Noface, viewers around the world claimed that Powell's footage was not an apparition, but a misidentified extraterrestrial alien "Grey". As crazy as this may seem, Calek had secretly expected this response, as he and Powell had both experienced threatening encounters that suggested the potential of extraterrestrial involvement on a government scale. As the sequel to the Sir Noface documentary, Two Face: The Grey is the continuation of the investigation into the most compelling paranormal case in history, which reveals global implications that Calek and Powell could have never imagined.
This modern update of the beloved classic swaps Cyrano's signature pronounced nose for achondroplasia, for a different vision that still retains the original's essence.
Disney movies have taken a bit of a downward turn recently. How come?
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.