‘My Big Fat Greek Wedding 3’ Is A VICTORY For Queer Representation
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.

Five-year-old Emma follows a feral boy into the woods and is lost for two days. Remembering nothing of her ordeal, she avoids the woods, until seventeen years later when she accompanies a group of environmental students up a mountain to catch forestry students suspected of illegal foresting. When people go missing and bodies begin to surface, the groups join forces, but before they can make it back down the mountain, they stumble across a hunter's cabin and Emma comes face to face with the dark mystery of her past.
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
It's good for your film viewing needs, but isn’t going to shake your world. Demonic is trippy sci-fi fun, and that’s about it. And that's pretty cool.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.