'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

After going through an emotional crisis, due to his work in an ICU during the pandemic, Paulo struggles to move into the apartment he bought with Vinicius, his partner, who is already living there. Paulo asks Vinicius to come back to stay with him, while he tries to recover. However, he discovers that, in turn, Vinicius has the opposite problem - he can no longer sleep in his old apartment. With this impasse established, they still discover other issues that seem to push them away, but Vinicius leaves with the commitment to try to return at night and Paulo with the commitment to start the process of change.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
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