Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Milano 2, a residential neighbourhood on the outskirts of Milan. Built between 1970 and 1979 as a utopic city, it was Silvio Berlusconi’s first ambitious urban project. An area that today, at first glance could look like an anonymous suburb was once the laboratory for the imposition of a new lifestyle, which in the decades of “Berlusconism” spread at a national level and radically transformed the Italian culture.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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