There’s No Way That Spider-Man: No Way Home Hits Home
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction

Minori is a head-strong photographer who is romantically involved with Kushida, her editor. On a photography assignment she gets into an argument with her subject, Ageha, a female erotic manga artist who, like Minori, is 30 and single. Shin'ichi, the journalist on the assignment, receives most of the blame for the failure of the project. Minori sleeps with Shin'ichi, then discovers that her own position is not as secure as she thought, when she suspects that Kushida is also involved with Ageha. The series of events causes Minori to reconsider her own lifestyle.
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
Based on the true story of activist and paralegal Erin Brockovich, the titular film charts her incredible story of success.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.