Misaki visits her boyfriend Koichi in Okinawa, the southern island of Japan. To welcome the arrival of Misaki, Koichi's friend Jinsei holds a welcoming party at his house. At the party, Misaki learns from the wise granny about the legend behind the bag hanging from the fig tree and the local demon: Kijimuna, which deeply fascinate Misaki. Jinsei then introduces Misaki to a young female writer, Kagemi, who tells Misaki the darker side of the Kijimuna legend. As the local shaman and medium to the other world, Kagemi’s knowledge in local lore gives Misaki much more to wonder about. The quiet life in Okinawa takes a sharp turn with the arrival of Jinsei’s ex-wife Sanae, which leads to a tragic accident. Soon, the parties involved begin to see a vengeful spirit and their peaceful lifes turn into a nightmare.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
We're in the midst of July, the month in which Americans are supposed to be at their most patriotic! With barbecues, beach trips, and fireworks galore, this is the month where we celebrate our country. For Incluvie, that primarily means diving into the wonderful "melting pot" of the diversity of American film! In between celebrating and feasting, it's important to remember the very basis this country is founded on: "liberty and justice for all."
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
Like most young people, Leviticus is imperfect. But I love it anyways.
