Stephanie and Terry are identical twins who have been raised separately since their parents divorced seven years earlier. Each envies the lifestyle of the other; and they decide, without telling Jeff or Mary, to switch families for a day or two. They soon find that it is harder to do what the other person is expected to do, and that looking alike is not enough. When they find that their charade may bring their parents back together, they agree to continue it. A major complication begins when Alice, Jeff's girlfriend and co-worker, finds out the real story.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
